Showing posts with label spotlight. Show all posts
Showing posts with label spotlight. Show all posts

19 Nov 2011

IN THE SPOTLIGHT: Bear Driver



Bear Driver are a six piece collective now based in London, who implement instrumentation typical of a indie folk band, but they use this to create upbeat surf pop that seems to have the edge over most of what is happening in the UK scene at the moment. The band have been around since about 2009 and have received a lot of support from BBC Introducing over the years.

The biggest comparison to be made is with the likes of Arcade fire, Super Furry Animals and Smith Westerns. With a diverse style and accordion in tow, the band share vocal duties to create moving melodies that shift in tempo regularly.


Their debut EP, Paws & Claws, was self released in 2009 to much acclaim from the press. Glockenspiels and synths permeate through the record forming warm melodies. The band use a mix of male and females vocals to form multi-layered harmonies in a way that has drawn a lot of attention to them.

Appearances at lots of UK festivals throughout the years, such as Reading & Leeds, End of the Road and Brainwash festival, they are no stranger to playing to large audiences. They completed their first proper UK tour in late 2010, having otherwise stayed primarily near Leeds beforehand.

In 2010 they released the single Wolves, which is a delightful pop song strewn with infectious hooks and a dynamic mix of strings and keys. The B-side to that single, Long Lost Giants, is a slower, more moving piece with sprinklings of violins and distorted guitar chords.


The first single from their debut album, Never Never, has a more dreamy surf-pop like quality about it, with hazy vocals meandering between big guitar tinges. There's just something about the track that makes it impossible to listen to just once.

Their as-yet-untitled debut album is due out in February and you can download the first single, Never Never, here. This is a really exciting time for the band and I have a feeling that sometime soon they might just be a household name. 

18 Nov 2011

LATE TO THE PARTY: Sparky Deathcap


Just to let you know, I am completely and utterly transfixed by Sparky Deathcap's Tear Jerky EP at the moment. I know that it came out in 2009, but I missed it altogether at release for some reason. 


Sparky Deathcap (also known as Rob Taylor) toured extensively with Los Campesinos! before actually becoming a permanent member of the band in 2010, but before that (and during) he creates serene folk-pop. The style varies widely on the EP, with violin reminiscent of Owen Pallett, and a plethora of early Patrick Wolf influences.

What grabbed me from the offset was the fact that all of the tracks on the record were so diverse, each one had a distinct atmosphere about them; from fast-paced closer 'Send it to Oslo', to Sufjan Stevens influenced 'September'. This constant change of tone stops the EP ever feeling old, or same-y. With an 18 minute running time, there's very little chance of that happening anyway.



Lyrically, the EP conquers themes of travelling, break-ups and loneliness in a fashion that's quite typical of a 20-something indie-folk type. But Sparky has something special about him, there's a sense of bleak coldness about the record but he manages to make it sound endearing.

The highlight for me is definitely Winter City Ghosts. It mixes a hypnotic drum beat with Wind in the Wires­-esque guitar work with austere lyrics such as 'I'm not fooling you / I don't know anyone in this city / I don't know you / And you don't really know me' making this song almost an addiction for me.



Sparky Deathcap supposedly has a lot more musical output under his sleeve, hopefully a full-length should be arriving in the next 12 months or so. I, for one, can't wait. He is also an accomplished illustrator, including designing everything to do with the Hello Sadness singles and artwork. Check out his site that he updates every other day with witty single-frame comics.