It's been a slow start to 2012,
with notable releases few and far between so far. Camden natives Tribes are
here to kick-start the year with their own brand of good old-fashioned rock n roll. They've been gathering steam over the past twelve months or so,
with stand out single We Were Children getting played on the likes of NME radio
and Radio 1. Baby, their debut effort has been on the radar of many for quite some
time.
Tribes are a band that aren't
trying to reinvent the wheel; instead they settle for simply making impeccably
refined music that's filled to the brim with infectious hooks, intricate
melodies and whimsical lyrics.
The album takes cues from many,
many different bands and eras of music, but the easiest way to describe it is
like a cross between Pixies (the chord progression of 'We Were Children''s and 'Where is My Mind?' is uncanny), and the
very best Brit-pop of the 90's, with an added kick of attitude.
'We Were Children' is undoubtedly
the highlight of the album, and they were wise to release it as a lead single.
It acts as a love-letter to the 90's, with nostalgic instrumentation and the
lyrics "these things happen, we were children in the mid-nineties".
The song just has an invigorating atmosphere and will creep its way into your
head unsuspectingly and leave you humming it for days to come.
'Walking in the Street' is
another high-point of the album, with a riff and bass-line reminiscent of The
Cure, but frontman Johnny Lloyd's vocals give it its own personality. Similar
to 'We Were Children', the hooks and melodies are the things that really carry
the song a long and help it stand out on the album.
The album travels at a brisk
angst-filled pace but it takes a breather occasionally to let Lloyd show
himself at his most emotive and reflective. Songs such as 'Halfway Home' paint a
sombre picture which builds up to a triumphant finish. That, accompanied by tracks such as 'Alone Or With Friends' which has
an Oasis-esque vibe act as welcome interludes to the pace of the
rest of the album and help show some much-needed diversity.
The main problem with the album
is that it all treads very familiar ground. Tribes aren't doing anything to
push the boundaries of what we come to expect of modern music. Although it is
all technically well made, I can't help but feel like the album is a bit behind
the times. If it had been recorded and released in a time earlier than 2012 it
would make a bigger impression, but right now the album can't escape a feeling
of déjà vu that pervades the majority of tracks.
If guitar music is dying, as so
many bands have suggested over the past year or so, then Tribes are one of the
glimmers of hope for the genre. Although Baby isn't necessarily bad in any
meaning of the word, it doesn't push the envelope enough for Tribes to remain
relevant in 2012. Saying that, the album has enough charm and appeal that will resonate with a lot of people, and
will gain them a large following. I have a feeling that 2012 has big things in
store for Tribes. And if anyone's going to 'save' guitar music, better these guys than The Enemy, eh?
Good review, you pretty much expressed what I thought!
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