Blouse are a female-fronted dream pop band from Portland, Oregon. The band are a trio who formed after two friends, vocalist Charlie Hilton and bassist Patrick Adams, finished art school and met Unknown Mortal Orchestra producer/bassist Jacob Portrait. Their eponymous debut is a cocktail of synths, dreamy vocals and retro basslines that Joy Division would be proud of.
Front-woman Charlie Hilton
delivers vocals that are soothing to the ear, but also have a haunting
quality to them. She hits lower notes to a tee and her delivery can come close
to a whispering quality, that really helps the chilled-out nature of the music,
and seeps into your subconscious.
Lyrically, Hilton uses
repetition to her advantage. The end of They Always Fly Away is that much more
affecting because of the repetition of the title while the synths and drums
slowly fade away. The same applies to Time Travel, where Hilton spends the
latter half of the song repeating the refrain "I was in the future
yesterday", which is a sign of their obvious desire to have been around during the 80's synth-pop boom. The rest of the album deals with themes of love and it all
sounds very romantic, and this is expressed in the way Hilton sings.
The bass on most of the tracks
sound like they would fit well on most of Unknown Pleasures, showing the bands
obvious admiration for the bands that have come before them. Electronic drums
protrude through all the record giving it a pulse that flows on an on, and
doesn't give up throughout the whole of the record.
Into Black
starts with an intro that sounds synonymous with the 80's synth-pop scene, very
much reminiscent of early era Cure, with a bassline throughout to bolster that
inspiration. Album midpoint Videotapes is shrouded in synth, with them almost
drowning out Hilton's vocals. This makes a nice change from the minimalist feel
of the tracks that came before.
The biggest downfall of the
album is that, although none of the tracks are decidedly bad, they don't do
enough to separate themselves from one another, and the album seems to blend
all into one. The music industry has seen no shortage of retro 80's throwbacks as of
late; it's a shame that Blouse didn't come out with this debut sooner, because
then it would seem like a record more worthy of applause than it is currently.
2011 has seen a lot of great
albums that you could stick into the same ballpark as Blouse, such as BRAIDS,
Still Corners and New Look. I'm just not sure that Blouse show enough
individuality to really stick out in this day and age.
Still, the album is enjoyable
enough to make it worth listening to. Dream pop is a genre that has seen a recent revival in a big way and shows no sign of slowing down any time soon. With their debut,
Blouse show that they know how to write a good set of songs that mimic the
spirit of music from the 80's, but until they find their own identity they risk
never being able to capture the attention of the larger audience that they will
someday deserve.
7/10
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